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Review: Dinsha Palkhiwala’s Rising From The Ashes

  There was a particular moment in the play Rising From the Ashes when director Dinsha Palkhiwala knew he had touched a chord with the...

Review: Bandini at La Mama HQ

Bandini at La Mama HQ: 3/5 stars Family violence in Melbourne’s South Asian community is a pressing issue which has sadly become timelier with the...

Sandy Evans OAM: Seven Notes of the Noted

  Sandy Evans received an OAM in 2010 for services to music. A recipient of the Churchill Fellowship to India, she was awarded a PhD...

Dr Puva Arumugam: Using art to share stories of migrant guilt

  Dr Puva Arumugam remembers vividly the day her stepfather left. After a heated argument, he stormed out of the house, declaring that he would...

When Meghna transformed into Satyabhama

  With her immediate stage presence, dancer Meghna Karanam made it known that this would be a very special performance. And it was, for two reasons:...

Tara Rajkumar OAM: Grace in motion for 50 glorious years

  Melbourne-based TARA RAJKUMAR OAM, acclaimed Kathakali Mohiniattam dancer, performer par excellence, revered guru and mentor, researcher and developer, talks to Indian Link about her...

‘The Axe in the Ceiling’ and the absurdity of arranged marriage

  In the height of Melbourne’s 2020 lockdown, Jaya Berged wasn’t making sourdough or cutting her own hair but poring over Grimm’s Fairytales with collaborator...
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